That wasn’t the last guest appearance Sunday’s crowd saw “Everybody! Energy!” shouted Lamar’s cousin Baby Keem as he returned to the stage to perform “Family Ties” for the second time that day. Still, Lamar made sure to make the rapper feel welcomed, even getting him to do a couple of dance moves to the chorus. (Black was later granted commutation by then-president Donald Trump.) Crucially, the performance also came after Lamar faced backlash from some fans for including Black on the album in light of the rapper’s rape and sexual assault charges that resulted from a 2021 sexual assault case and subsequent plea deal. The excitement escalated when Lamar brought out Kodak Black to perform their song “Silent Hill.” The crowd went wild at the sight of these two legends on the same stage for the first time ever - especially since Black is a South Florida native. The high energy of his delivery was matched by the crowd, with multiple mosh pits forming to the deep thrum of 808s. The technicality of Lamar’s rapping amazed the crowd, who watched in awe as the multiple Grammy award-winning artist effortlessly switched between tracks, taking no time for a breather between the breakneck flows in “King Kunta” and “LOYALTY,” for example. These displays served to both structure the set chronologically as well as to get the audience hyped up before the next song’s beat drop. Lamar himself took part in the acting, guiding the audience like an orchestral conductor during the introductory lines “Hello, new world, all the boys and girls / I got some true stories to tell.” The choreographed stage continued to act like a living, breathing extension of his lyrics, as the dancers marched to “N95”’s lyrics “You steppin' or what? ” moshed on stage for the chorus of “m.A.A.d city ” and stood still to the melody of “ELEMENT,” closing in all around Lamar like the crowd of haters he’s rapping about.Įvery aspect of his stage design contributed to the narrative, down to the LED display, which illustrated transition slides for “Kendrick Have A Dream” into “Backseat Freestyle,” “Rich Spirit, Broke Phone” into “Rich Spirit,” and “Compton, USA” into “m.A.A.d city.” The live camera feed displayed behind him, shot from multiple angles with a movie-like sepia filter, cutting in and out to the beat, only further contributed to the cinematic, audio-visual experience of Lamar’s set. “The cat is out the bag, I am not your savior / I find it just as difficult to love thy neighbors,” the rapper told Miami with accompanying vocals from Baby Keem and Sam Dew, calling out those who hold him up to God-like standards.Īs the concert kicked off with “N95,” the stage flooded with backup dancers clothed in jumpsuits and face masks - a nod to the Covid-related tropes in the song’s lyrics. In performing songs like “Savior,” for example, Lamar points out that great artists - J.Cole, Future, and himself - are just human. Despite these larger than life allusions, Lamar’s lyrics made it clear that his persona was a mimetic allegory for his personal struggle and perseverance rather than personification of a savior figure. Morale & The Big Steppers.” The costume was a reference to his latest album’s artwork and represents a study in religious imagery and artistic depictions of “hood philosophies,” according to creative collaborator Dave Free. By Courtesy of Rolling Loud / a crown of thorns, Lamar stepped out on stage as the visual embodiment of his 2022 album “Mr. Kendrick Lamar headlines day 3 of Rolling Loud Miami.
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